Amazon Prime is currently meeting my needs. I've dabbled a bit with some of these second-tier services and I think they're most useful for one thing: if you've ever needed to know just how many, many--many!--bad movies have been made, check some of the services out.
"The Firm," "Rain Man," and, especially, "Risky Business" are ranked too low, but for the two-thirds I've seen the rest seem about right.
Funny or sad: you decide.
Short video. I learned something.
Edward Norton in The Italian Job, Brando in Superman, and others.
A reminder that there were Liberals even back in ancient Rome. Made me laugh.
I haven't rewatched it, but I really enjoyed it the first time.
If you’ve ever taken a course on screenwriting, Annie Hall, Woody Allen’s 1977 masterpiece, is an example of what not to do. Screenwriting experts tell you: Show, don’t tell. Don’t break the fourth wall and talk directly to the audience. Maintain the tone without wild shifts—especially something as outlandish as adding a cartoon. Make the protagonist likable. Keep the timeline and story arc straight, and stay away from religion.
Annie Hall smashed all of these conventions, giving the world not only an Oscar-Winning picture, but a movie that only seems to get richer and bolder with each passing year as new films get more conservative and conventional.
An interesting piece but one that gives only weak support to a pet hypothesis of mine. It seems to me that in many recent movies--let's pick 2000 as an arbitrary dividing line--chase scenes tend to take place at night or in otherwise poor lighting. I think this greatly undermines the drama, if any, if you can't really see what's supposedly at risk. (But I imagine it's cheaper to film.)
Of the 28 scenes listed, 17 are from movies made before 2000. 16 of those 17 chase scenes are in daylight. Of the 11 2000 or later movies, 7 are in daylight, 3 are at night, and 1 is in a tunnel, albeit fairly well-lit.
Oh, well. "More research is needed."
An eight-minute look at Jack's many-faceted portrayal of anger.
Still the best movie I've ever seen. In so many more recent movies--even the better ones, ones I liked--there is at least one scene where I think: Why is this scene in the movie? For what reason am I watching this?
The Godfather doesn't have a wasted frame. And the first 15 or 20 minutes are a master class in filmmaking.